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You wanna know how I got these scars? |
Not being a comic book fan has its advantages, but when it came to Christopher Nolan's The Dark Knight I've come to think it wouldn't have hurt to have been privy to some back-story. Then again the brilliance of Nolan's Kierkegaardian passage in the Batman Series is in its perceived contemporary tenets; rather, from what I'm told, the movie's deviation from source. I don't find fault here for obvious reasons. Dark Knight comes off a bit skittish, as if a dose of pedestrian might shatter the film's surface tension (it's no No Country), but once again it is comic book material. Where I soaked in every gallon of this movie can be found expressly in the wherewithal of Christian Bale, Heath Ledger (his first film called "Clowning Around"...you have to be kidding me), Aaron Eckhart, Gary Oldman, et al (peripheral characters included; with the possible exception of an ill-cast Maggie Gyllenhaal) insomuch as their respective gravities influence rather than dominate. Kudos to Nolan regular John Papsidera. A cast this good (and scrapped content?) might have warranted a run time closer to 3-hours. I'm thinking the next episode will be Joker-free... How could they...?
Other films have successfully posited the as bad as bad can get themes (J'ai pas sommeil/I Can't Sleep being the first that I thought of; and the aforementioned 'No Country') with a search for peace and/or escape, but none so mainstream, none so forceful (maybe a tad transparent), and none as controversial as The Dark Knight is turning out to be. For laypeople and aficionados alike. And this is where I saw it, btw.