Tell Me Something gets off the starting block with a series of grizzly discoveries. Dismembered bodies are being dropped off around Seoul on a rainy night. When Detective Jo (Han Suk-kyu) and his partner Detective Oh (Jang Han-seong) are called in to handle the case, they can hardly imagine what they're stepping into. Shortly after meeting with the Medical Examiner, the detectives discover that the body parts found do not belong to one particular corpse. In short order, another round of corpses turn up (in some pretty strange places) and Detectives Jo and Ho put together a special team, on order from the police commissioner, to catch this serial killer, who's victims seem to be connected to the daughter of a famous Korean artist. Her name is Chae Su-yeon (Shim Eun-ha). Su-yeon and her roommate Seungmin (Jung-ah Yum; H, Tale of Two Sisters) are soon under the protection & watchful eye of the police, with Su-yeon being taken into protective custody when a new boyfriend is (partially) found after a night out with Su-yeon. Things get more complicated when Detective Jo finds himself developing feelings for Su-yeon. Her quiet, guarded manner forces Detective Jo to comb through her entire life, and make Su-yeon relive a past she would rather forget, to find connections with people she has known and the murders. Su-yeon soon tires of the interviewing and questioning and refuses to talk anymore. She returns to her home. The list of suspects grows... The murderer gets aggressive...
Firstly, I want to address/refute the plot hole factor. There is a fairly obvious jump that needs to be made concerning Detective Ho and an integral part of the investigation. Something that was most likely cut for continuity reasons or time constraints concerning Detective Ho making the connection between the killer and a certain apartment, is more or less overblown. By itself, it may stick out, but due to the film's complex story-line and fully realized characters it's an easy jump to make, even after a few viewings. I'll wager that it goes unnoticed, even after multiple viewings.
There's also said to be "motivation issues" with a character or two, but again, any reasonable viewer can make the connections, as they're deftly handled through a short flashback sequence near the end and an overall impressive screenplay. Besides, it's not like Tell Me Something is a docudrama. The film's revelation stands firm with what precedes it, no question in my mind. The fact that Tell Me Something can lay everything on the table and allow us to participate, makes the ending more dynamic and powerful. Yet it challenges us to choose our suspect and work it out for ourselves as we watch, speaks volumes. The obvious choice is most certainly the right one, veteran crime & mystery fans will know what's what right away. Good 'ol Occam's Razor.
Although this slow-burner (a healthy runtime of 118 minutes) is essentially a movie that tells you something and then tries to dissuade you with oh so much powerful gore and an intense dramatic elements. It's definitely made in a Hollywood-esque way and was a smash hit for S. Korean Film in 1999. Killer cinematography adds whole new dimensions to the film; bright, airy days & damp, inky nights. Add the powerful, ethereal humming from Enya's "Boadicea" as well as tunes from Nick Cave and the Bad Seeds and Placebo (who's album cover makes its way into the film), and Yoon-Hyun Chang's mysterious, murderous world comes alive. On the inside it's a gruesome, brutal crime-thriller. On the outside, it's a stylish, bizarre, almost arty film noir. A must see in any event.
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